| + Interval signals
! Radio station !! Playable sound |
| Rádio Nacional de Angola: | \header{tagline=##f}
% https://www.intervalsignals.net/sounds/agl-rna_international_200216.mp3
-
(define angola (alist->hash-table '(
(hiconga () #f 5) (loconga () #f 3) (chinesecymbal cross #f -3)
(vibraslap triangle #f -3) (cabasa cross #f -5))))
main = \new DrumStaff<<\drummode{
\stopStaff
\override Staff.StaffSymbol.line-positions = #'(-4 4)
\startStaff
\set DrumStaff.drumStyleTable = #angola \time 12/8
\grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl cgh8 8 cgl cgh r
\grace{cgh16*3} 8 8 8 \grace{cgh16} 8 8 8 cgl8 8 8 8 \grace{16} 8 8
\repeat volta 4{
cgl8 cgh r cgh cgl \grace{cgl16} 8 8 r cgl8 8 \grace{16} 8 8
}
}\\ \drummode{
s1. s2. r4. r8 cymch4 \repeat volta 4{r8 cab4 4. r4. r8 vibs4}
}>>
\score{\main
\layout{indent=#0 line-width=#120
\context{\DrumStaff \magnifyStaff 0.7}
}
}
Rádio Nacional de Angola |
| Radiodifusión Argentina al Exterior: First eight notes of "Mi Buenos Aires querido" by Carlos Gardel, followed by people saying the station's name in eight languages. | \header{ title = "Radiodifusión Argentina al Exterior" }
\relative{
\key d \minor \time 3/4 f''2 e8 d f2 e8 d f2 d4~ \hideNotes 2
}
\midi{\tempo 4=84 \set Staff.midiInstrument = "electric piano 1"}
|
| Bangladesh Betar: A tune composed by Samar Das. | \header{tagline = ##f title="Interval signal for Radio Bangladesh"}
% https://www.intervalsignals.net/sounds/bgd-rb_mymensingh_220424.mp3
main = \relative{
\set Staff.midiInstrument = "violin"
\key bes \major \time 3/4 \grace{s16}
s4 s \grace{g'16 f es} f4 d'2.
bes8 c d bes c d bes4 f'2
}
acco = {
\set Staff.midiInstrument = "sitar"
\set midiMaximumVolume = #0.7
\key bes \minor
\clef bass \grace{s16\sustainOn}
\repeat unfold 4{\tuplet 5/3{f,4 bes,, bes, f f}}
s8
}
\score{\main}
\score{
<<\main \new Staff \acco>>
\midi{\tempo 4 = 60}
}
|
| Radio Belarus: "Motherland, my dear" (Belarusian: Радзіма мая дарагая, Russian: Родина моя дорогая) by and Ales Bachyla. | \header{tagline=##f title="Radio Belarus"}
% https://www.intervalsignals.net/sounds/blr-radio_station_belarus_160906.mp3
-
(define mydrums (alist->hash-table '(
(hiconga () #f 0) (mutehiconga cross #f 0)
(loconga () #f -1) (cabasa triangle #f 1))))
common = {\key d \major \partial 8}
main = \relative{
\set Staff.midiInstrument = "fx 5 (brightness)"
\set midiMaximumVolume = #0.6
\clef "treble^(8)"
\common a''8 4 fis4 r8 d b' a16 g a4 fis4~ \hideNotes 4
}
acco = <<
\new Staff{
\set Staff.midiInstrument = "pad 3 (polysynth)"
\set midiMaximumVolume = #0.5
\common r8 2. 4 2.
}
\new Staff \relative{
{
\set Staff.midiInstrument = "orchestral harp"
\set midiMaximumVolume = #0.7
\common \tuplet 6/4{cis'64 d e fis g a b cis d e fis g}
}
\new Voice{
\set Staff.midiInstrument = "electric piano 1"
\set midiMaximumVolume = #0.5
a,16 fis d a d a' d, e' d a fis d a fis' d a
}
\new Voice{
\set Staff.midiInstrument = "fx 5 (brightness)"
\set midiMaximumVolume = #0.4
4 4~ 16 \tuplet 3/2{32 } 8
}
}
\drums {
\stopStaff
\override Staff.StaffSymbol.line-positions = #'(0)
\startStaff
\set DrumStaff.drumStyleTable = #mydrums
\common r8
cab8 cghm16 cgh cgl8 cab16 cghm cab cghm16 16 16 cab cghm8 cgh16
cgh8 cghm16 16 cab8 cghm16 16 cab8 16 cgh cgl8
}
>>
\score{\main}
|
| Rádio Brasil Internacional: Xylophone version of "Brazilian Flag Anthem" (Brazilian Portuguese: Hino à Bandeira Nacional) by Francisco Braga and Olavo Bilac. | |
| Radio Bulgaria: | \header{tagline = ##f title="Radio Sofia"}
% https://www.intervalsignals.net/sounds/bul-z-radio_sofia_1964.mp3
% http://my.reset.jp/~fairuzyy/bulgaria.rm
main = \relative{
\set Staff.midiInstrument = "oboe"
\set midiMaximumVolume = #0.9
\clef "treble^(8)"
\key as \major
\time 2/4
\omit Script
c'''4.-_ bes8-. as8.-_ g16 as8-. f-. es4.-_ f8-. es2
}
acco = \relative{
\set Staff.midiInstrument = "clarinet"
\set Staff.midiMaximumVolume = #0.6
\key as \major
<<
{4. es8 8. 16 8-. -. 8. bes16 as8-. 8-. 2}
\\
{as,4 c des8. es16 f8-. des-. c4. es8-. as,2}
>>
s8
}
\score{\main}
\score{
<<
\main
\new Staff \acco
>>
\midi {\tempo 4 = 76}
}
|
| Radio Burkina: | \header{tagline=##f title="Radio Burkina"}
% https://www.intervalsignals.net/sounds/bfa-radio_burkina_100812.mp3
-
(define mydrums (alist->hash-table '(
(hihat cross #f 5) (openhihat xcircle #f 5)
(snare () #f 1) (sidestick cross #f 1)
(mutehiconga diamond #f -1) (hiconga diamond #f -2)
(loconga diamond #f -3) (bassdrum () #f -5))))
common = {\key c \minor \time 12/8}
main = \relative{
\set Staff.midiInstrument = "flute"
\set Staff.midiMaximumVolume = #0.9
\clef "treble^(8)" \common
\repeat volta 2{
<<{
es''8 8 8 8 f r r g, c es g, g
f'4 es c r8 g c es g f
}\\ \magnifyMusic 0.6{
\set midiMaximumVolume = #0.6
bes,8 8 8 8 c s s4. s4.
c4 bes g s4. s4.
}\\ \magnifyMusic 0.6{
\set midiMaximumVolume = #0.6
g''8 g g g as s s4. s4.
g4 f es s4. s4.
}>>
}
}
acco = <<
\new Staff \relative{
\set Staff.midiInstrument = "marimba"
\set Staff.midiMaximumVolume = #0.8 \common
\repeat volta 2{
4 r8 es f f
4 r8 es g g
}
}
\drums{
\set DrumStaff.drumStyleTable = #mydrums
\set Staff.midiMaximumVolume = #0.8
\repeat volta 2{ \repeat percent 2{
<<
{ss8 8 8 hho hh ss8 8 8 8 sn ss}\\
{bd4 8 4. r4 bd8 4.}\\
{\shiftOff \hide Stem s4 cgl8 8 cgh8 8 s cghm4 4 s8}
>>
}}
}
>>
|
China National Radio and China Radio International: Chime version of March of the Volunteers (义勇军进行曲). \header{ title = "China National Radio" }
{
% https://www.intervalsignals.net/sounds/chn-cnr2_140311.mp3
\clef "treble^(8)" \key d \major
\set Staff.midiInstrument = "vibraphone"
d 4.\omit\sustainOn fis8 a 4 4 b2 fis>
}
\midi{\tempo 4 = 114}
\header{ title = "China Radio International" }
% https://www.intervalsignals.net/sounds/chn-cri_070104.mp3
\relative<<
{\key g \major g'4. b8 d4 d e2 d s8_"//"}\\
{d,2 g b b}
>>
\midi{\tempo 4=90 \set Staff.midiInstrument = "vibraphone"}
|
| CRI Indonesian Radio (and Radio Peking, predecessor of China Radio International): 东方红 ("The East Is Red"). | \header{tagline=##f title="CRI Indonesian"}
% https://www.intervalsignals.net/sounds/chn-z-radio_peking_cm_c1980.mp3
% https://www.youtube.com/watch?v=NEqwR2cHJ-Y&t=6m03s#2024
common = {\key g \major \time 2/4}
main = \relative{
\clef "treble^(8)" \common d'''4 d8 e a,2 g4 8 e a2 s4_"//"
}
acco = {
\clef treble \common g'2
}
\score{\main}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=45 \set Staff.midiInstrument = "celesta"}
}
|
| Voice of the Strait News Radio: Bell version of "Three Rules of Discipline and Eight Points for Attention" (三大纪律八项注意). | \header{ title = "Interval signal for Voice of the Strait" }
% https://www.intervalsignals.net/sounds/chn-vos_news_301113.mp3
{
\clef "treble_(8)" \key b \major
\set Staff.midiInstrument = "vibraphone"
fis2.\omit\sustainOn gis4 b2 b gis4 b gis e fis1
}
\midi{\tempo 4=68}
|
| Radio Habana Cuba: Refrain of "March of the 26th of July" (es:La Marcha del 26 de Julio]]) by Agustín Díaz Cartaya. | \header{ title = "Radio Habana Cuba" }
% https://www.intervalsignals.net/sounds/cub-radio_havana_070907.mp3
\relative{
\set Staff.midiInstrument = "music box"
\clef "treble^(8)" \key g \major \partial 4
d''8. d16 b'4 g2 d'4 e b2
}
\addlyrics {A -- de -- lan -- te cu -- ba -- nos}
\addlyrics {lim -- pi -- an -- do con fue -- go}
\midi{\tempo 4=57}
|
DR P1: "Drømte mig en drøm i nat", played on metallophone.[Archived at Ghostarchive and the
]
target="_blank" rel="nofollow"> Wayback Machine: | \header{ title = "Interval signal for DR P1" }
% https://www.intervalsignals.net/sounds/dnk-dr_243kHz_290817.mp3
\relative{
\set Staff.midiInstrument = "vibraphone"
\clef "treble^(8)" \key d \minor \time 3/4
f''2 a4 g2 a4 f2 e4 d2 f4 a2 4 2 f4 d2.
}
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=80}
|
| Radio Ethiopia: | \header{ title = "Radio Ethiopia" }
% https://www.intervalsignals.net/sounds/eth-ebc_national_amharic_060914.mp3
\relative{
\set Staff.midiInstrument = "kalimba"
\set Staff.midiMaximumVolume = #1.1 \key d \major \time 12/8
<<
{e''8 r e r e e fis16 e d e d8~ 4. d8 r d r d8 8 fis16 e d e d8~ 4.}\\
{e,8 r e r e e8~ 4. b16 d e fis a b d,8 r d r d d8~ 4. b16 d e fis a b}
>>
}
\midi{\tempo 4.=80}
|
| Radio France Internationale: Electronic-disco, culminating in the last 8 measures of "La Marseillaise". | \header{tagline=##f title="Radio France Internationale"}
% https://youtu.be/t2Kj3haNb-M?t=2m24s
main = \relative{
\set Staff.midiInstrument = "synthbrass 1"
\set midiMaximumVolume = #0.55
a'1 cis d4. e fis4 b,2. fis'4 e2~ 8 cis d b a1 s8_"//"
}
acco = <<
\new Staff \relative{
\set Staff.midiInstrument = "fx 5 (brightness)"
\set midiMaximumVolume = #0.25 \clef "treble^(8)"
\repeat percent 6{e'''16 e e e e,8 e'16 e, e' e, e'8 e, e}
}
\new Staff{
\set Staff.midiInstrument = "synthbrass 2"
\set Staff.midiMaximumVolume = #0.4 \clef bass
<<{1~ 1~ 1~ 1~ 1~ 1}\\{g1~ 1 fis1~ 1 g1~ 1}>>
}
\new Staff \relative{
\set Staff.midiInstrument = "slap bass 2"
\set midiMaximumVolume = #0.7 \clef "bass_(8)"
\repeat percent 3{a,,4 a'8-. r r4 r8 g,8 a4 a'8-. g,8 r g a'-. a,-.}
}
\drums{
\repeat percent 6{<<{hh8 8 sn hh8 8 8 sn hh}\\{bd4 4 8 8 r bd8}>>}
}
>>
\score{\main}
|
| Deutsche Welle: "Es sucht der Bruder seine Brüder" from Fidelio (Act2 No.16 Finale. Heil sei dem Tag!) by Ludwig van Beethoven. | \header{tagline=##f title="Interval signal for DW"}
% https://www.intervalsignals.net/sounds/ger-dw_1999.mp3
main = \relative{\partial 4 g''4 4. e8 g f d g a8. g16 2 \fermata}
acco = {\partial 4 s4 >2 \fermata>2.}
\score{
<<
\new Staff="Fernando"<<\main \\ \acco>>
\new Lyrics \with{alignAboveContext="Fernando"}
\lyricsto "1"{Es sucht der Bru -- der sei -- ne Brü -- _ der}
>>
}
\score{
<<
<<\main \\ \acco>>
\new Staff{
\set Staff.midiInstrument = "celesta" \transpose c c' \main
}
>>
\midi{\tempo 4=66}
}
|
Voice of Greece: "The Little Shepherd" (el:Ο Τσομπανάκος]]), played on floghera.[Archived at Ghostarchive and the
target="_blank" rel="nofollow"> Wayback Machine: ] | \header{tagline=##f title="Interval signal for Voice of Greece"}
% https://www.intervalsignals.net/sounds/grc-era_chania_101014.mp3
main = \relative{
\cadenzaOn \time 2/2 \key g \minor
g'4 g \bar " | "
\tag #'mA {
f16\trill[( e d8])~ d2.*4/3\fermata s4 \bar " | "
cis4\trill bes4 cis4\trill bes4
}
\tag #'mB {
\tuplet 6/4{f'16 g f e d8~} d2.*4/3\fermata s4 \bar " | "
\tuplet 11/8{\repeat unfold 5{cis32*13/11 d} cis} bes4*9/11
\tuplet 9/8{\repeat unfold 4{cis32 d} cis} bes4
}
\bar " | " g4 4 2*3\fermata s8
}
\score{\keepWithTag #'mA \main
\addlyrics{Tso -- pa -- na -- kos i -- mou -- na __}
}
\score{\keepWithTag #'mB \main
\midi{\tempo 2=60 \set Staff.midiInstrument = "flute"}
}
|
All India Radio: A tune composed by Walter Kaufmann or Thakur Balwant Singh, used since 1936.[ Tuning into broadcast history. The Hindu BusinessLine, 15 October 2015.] | \header{tagline=##f title="Interval signal for All India Radio"}
% https://www.intervalsignals.net/sounds/ind-z-air_external_rvd_c1965.mp3
common = {\key fis \minor}
main = \relative{
\set Staff.midiInstrument = "violin" \common \grace{s8}
s2 s4 s8. a''32 gis a2.~ 8 gis16 fis dis2.~ 16 gis fis dis
cis4~ 16 dis fis dis cis2~ 1
}
acco = {
\set Staff.midiInstrument = "sitar"
\set midiMaximumVolume = #0.6 \common \clef bass
\grace{s8\sustainOn} \repeat unfold 5{fis,4 cis fis cis} s8\sustainOff
}
|
Indonesia
-
RRI Programa 3: Ending bars of "Solace on Coconut Island" (Rayuan Pulau Kelapa), composed by Ismail Marzuki.
| \header{tagline=##f title="RRI Programa 3"}
% 0:12 https://www.intervalsignals.net/sounds/ins-rri_pro3_300725.mp3
common = {\key b \major \partial 2}
main = \relative{
\clef "treble^(8)" \common
dis''4 fis e4. fis8 ais2~ 2 e4 fis dis4. fis8 b2~ 2 s8_"//"
}
acco = \relative{
\set Staff.midiMaximumVolume = #0.7
\clef bass \common
\voices 1,4,2<<
{a'2 gis4. fis8 e4. fis8 ais2. fis4 g4. fis8 dis4. fis8 b2}\\
{bis,4 dis cis4. dis8 cis2 e2 cis8 b ais cis b1 dis2}\\
{bis,2 cis2 fis,2~ 1 b1~ 2}
>>
}
\score{
<<\main \new Staff \acco>>
\midi{\tempo 4=70 \set Staff.midiInstrument = "string ensemble 1"}
}
RRI Regional: "Love Ambon" by George de Fretes
\header{tagline=##f title="RRI Regional"}
% https://www.intervalsignals.net/sounds/ins-rri2_banda_aceh_150915.mp3
common = {\partial 2}
\score{
\relative{\common g4^"ad lib." c e2. c4 g c8 e a4. g8 e1 c2 s8_"//"}
}
\score{
<<
\relative{
\set Staff.midiInstrument = "electric guitar (jazz)"
\common g4
4. 4 4 8 8. 8. 8 4. 8
4. 4 4 8~ 8 4
}
\new Staff \relative{
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\clef "treble_(8)"
\common r2
<<{
\repeat unfold 12{8} 8 8 8 8 \repeat unfold 11{}
}\\{
c,2 g c f4 a, c2 g c
}>>
}
>>
\midi{\tempo 4=88}
}
RRI Voice of Indonesia: "Feeling of Love" ( Rasa Sayang). |
RTÉ Radio 1: 2nd segment of "O'Donnell Forever" (O'Donnell Abú). | \header{tagline=##f title="RTÉ Radio 1"}
% https://www.intervalsignals.net/sounds/irl-rte1_240308.mp3
main = \relative{
\clef "treble^(8)" \time 2/4
c''4 e8. f16 g4 g8. g16 e'4 c8. a16 g4 f8 e d4 d'8. c16 b8 g a b c4 c8. d16 c4 r
}
acco = \relative{
\set midiMaximumVolume = #0.5 \clef "treble^(8)"
r1 \grace{c''16\sustainOn g'}g'4 r\sustainOff r2
\grace{a,16\sustainOn d}f4 r\sustainOff \grace{g,,16\sustainOn g' d'}g4 r\sustainOff r
}
\score{\main \addlyrics{Fleet -- ly the steed}
\layout{indent=#0 line-width=#120
\context{\Staff \magnifyStaff 0.8}
\context{\Lyrics fontSize = #-3 }
}
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=100 \set Staff.midiInstrument = "celesta"}
}
|
| NHK World: "KazoeUta (Hitotsu to ya)" (数え歌, counting-out game). | \header{tagline=##f title="NHK Radio Japan"}
% https://www.intervalsignals.net/sounds/jap-radio_japan_280502.mp3
common = {\key e \minor}
main = \relative{
\clef "treble^(8)" \common
g''4 g b g b2 c4 b e e c c b b g b c c b g fis1 s4_"//"
}
acco = \relative{
\set Staff.midiMaximumVolume = #0.6 \common
r8 b' c b g a b4 r8 g b c a e fis g
<<{
b e fis g a e fis e e fis g fis e4 e8 fis
g a e fis g4 r8 e dis2 \tuplet 3/2 4{e8 fis a c e fis}
}\\{
r2 a,, g r8 e g4 a2 b b,8 fis' b c r2
}>>
}
\score{\main \addlyrics{Hi -- to -- tsu to ya - -}
\layout{indent=#0 line-width=#120 }
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=108 \set Staff.midiInstrument = "celesta"}
}
|
| Radio Nikkei: Kan Ishii | \header{tagline = ##f title="Radio Nikkei"}
% https://www.intervalsignals.net/sounds/jap-radionikkei1_010909.mp3
main = \relative{
\cadenzaOn \key d \minor
\omit Score.TimeSignature
\set Staff.midiInstrument = "tubular bells"
d''2 c d a1*7/4\fermata
f'4 d d c c d a1*7/4\fermata
s8_"//"
}
acco = \relative{
\clef "treble_(8)" \key d \minor
\set Staff.midiInstrument = "koto"
\set midiMaximumVolume = #0.6
s2\sustainOn s s \scaleDurations 25/26 {f16*4/5[ a, c d f a c d f16 a c8]} d1*9/8
s2\sustainOff\sustainOn s s \scaleDurations 6/5 {f16*2/3[ d c a f d c16 a f d c8]} a1
}
\score{\main}
\score{
<<
\new Staff \main
\new Staff \acco
>>
\midi{\tempo 4 = 100}
}
|
| Radio Nepal: A tune composed by Ustad Govinda Lal Nepali. | \header{tagline=##f title="Interval signal for Radio Nepal"}
Nepal
common = {\key e \major}
main = \relative{
\set Staff.midiInstrument = "violin"
\set midiMaximumVolume = #0.9 \common
\grace{b8}gis2~ 8 \grace{\once\stemDown cis}b \tuplet 3/2{cis e fis}
gis fis16 gis b8 gis16 b cis4. b16 gis
e8 \grace{\once\stemDown fis}gis4.~ 8 a16*3/2 gis fis4*3/4
\grace{b,8} e1
}
acco = {
\set midiMaximumVolume = #0.8 \common \grace{s8\sustainOn}
\repeat unfold 4{gis8 gis' e' e'' b b' cis' cis''} s8\sustainOff
}
\score{\main
\layout{indent=#0 line-width=#120
\context{\Staff \magnifyStaff 0.8}
}
}
|
Voice of Korea: Melody of "Song of General Kim Il-sung" (김일성장군의 노래). \header{ title = "Voice of Korea" }
% https://www.intervalsignals.net/sounds/kre-vo_korea_140412.mp3
\relative{
s2*1/6 2*5/6 8. 16 4 4 8. 16 2
}
\midi{\tempo 4=45 \set Staff.midiInstrument = "electric piano 1"}
- Melody of "Song of General Kim Jong-il" (김정일장군의 노래).
\header{ title = "Pyongyang FM" }
% https://www.intervalsignals.net/sounds/kre-pyongyangfm_160811.mp3
\relative{\key g \major g''2 b,4 e d4 8. c16 b2 e4 fis g b a4. fis8 d2}
\midi{\tempo 4=55 \set Staff.midiInstrument = "electric piano 1"}
|
| KBS World Radio: "Dawn" (여명); Korean kids song "Moon, moon, bright moon" (달아 달아 밝은달아) | \header{tagline=##f title="KBS World Radio - Dawn"}
% 0:46 https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3
common = {\key d \minor \time 3/4}
mainA = \relative{a'2. d c4. d8 c4 a2. d, a' g4. f8 d4 f g2 s4_"//"}
\score
\score{
<<
{
\set Staff.midiInstrument = "string ensemble 1"
\common s2. <<\transpose c c' \mainA \\ \mainA>>
}
\new Staff \relative{
\set Staff.midiInstrument = "orchestral harp" \common
\tuplet 6/4 4{a16 bes c d e f g a bes c d e f g a bes c d}
\clef bass
<<{
r4 2 r4 q2 r4 2 r4 2
r4 2 r4 q2 r4 2 2 4
}\\{
2 a,4 q2 a4 2. cis,2.
d2 a4 d2. g2 f4 d bes g
}>>
}
>>
\midi{\tempo 2.=46}
}
\header{ title = "KBS World Radio - Moon, moon, bright moon" }
% https://www.intervalsignals.net/sounds/kor-kbswr_english_211212.mp3
\relative{
\time 3/4 4 q2. 4 q2.
4 2. 4 q2.
}
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=58 \set Staff.midiInstrument = "vibraphone"}
|
RTL Radio: last segment of "De Feierwon" by Michel Lentz, played on chimes. | \header{tagline=##f title="RTL Radio"}
% https://www.intervalsignals.net/sounds/lux-z-rtl_german_1440_2015.mp3
main = \relative \voices 2,1<<
{\clef "treble^(8)" g''4 8 f e4 a g b c2}\\
\magnifyMusic 0.6{e4 d8 f e4 r g f e2}
>>
acco = \relative{c4~ e d 2}
\score{
<<
\main
\new Lyrics \lyricsto "2"{Wéi mir e -- sou ze -- frid -- de sin.}
>>
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=72 \set Staff.midiInstrument = "music box"}
}
|
| Radio Madagascar (Radio Madagasikara): | \header{tagline=##f title="Radio Madagascar"}
% https://www.intervalsignals.net/sounds/mdg-radio_madagascar_060815.mp3
common = {\clef "treble^(8)" \key a \major}
main = \relative{
\set Staff.midiInstrument = "kalimba"
\set midiMaximumVolume = #1.1 \common \grace{s16*4}
8. 16 cis cis b, b,8 d'16 e r8
b16 d 8 fis16 8 e,16 16 r4
}
acco = \relative{
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\set midiMaximumVolume = #0.7 \common \grace{16*4}
4 4 8. 16 r8 q8 8. 16 b8 q 8. 16
}
|
| Radio Mauritania: | \header{ title = "Radio Mauritania" }
% https://www.intervalsignals.net/sounds/mtn-radio_mauritania_051108.mp3
\relative{
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\clef "treble_(8)" \key f \major \time 12/8 \partial 8 f8
bes4 a8 c4 a8 bes4 g8~\prall 4 bes8 a4 8~ 4. 8 r g4 4
<<
{\hideNotes \grace{g'4~} 2. \unHideNotes}\\
{\grace{g8 f} e4 f8 d4 e8}
>>
f4 g,8~\prall 4 8_" //"
}
\midi{\tempo 4.=132}
|
Voice of Mongolia: "Motherland" (Эх орон) by Luvsanjambyn Mördorj. | \header{ title = "Interval signal for Voice of Mongolia" }
\relative{
% https://www.intervalsignals.net/sounds/mng-mnr2_100116.mp3
\clef "treble^(8)"
\set Staff.midiInstrument = "vibraphone"
\set midiMaximumVolume = #1.3
\key bes \major
f''4\omit\sustainOn d'4 8. c16 bes4 c8. d16 bes4 f2
}
\midi{\tempo 4 = 50}
|
| Radio New Zealand International: The call of a New Zealand bellbird | \header{tagline = ##f title="Radio New Zealand International"}
% https://www.intervalsignals.net/sounds/nzl-rnz_pacific_130423.mp3
main = \relative {
\set Score.midiInstrument = "ocarina"
\clef "treble^(15)" \time 2/4
\omit Staff.Script
f'''8.-.[ \grace{gis,16 \stemDown c' g} \stemNeutral c,16-.] fis8-. 8-_
a,8-_ \grace{fis'16} d16-. \grace{fis16} d16-. \repeat tremolo 8 {gis128 c} gis16[ \grace{g'8} e16-.]
d,8.-_ \tuplet 3/2{\repeat tremolo 2 a'64-. \repeat tremolo 2 g,-. \repeat tremolo 2 f-.} d-.
}
\score{\main}
\score{
\unfoldRepeats \main
\midi{\tempo 4 = 120}
}
|
| ORTN: | \header{tagline=##f title="Office of Radio and Television of Niger"}
% 0:27 https://www.intervalsignals.net/sounds/ngr-ortn_lv_du_sahel_220124.mp3
main = \relative{
\set Staff.midiInstrument = "flute"
\set midiMaximumVolume = #0.9
\clef "treble^(8)" \key es \major \time 5/8
\repeat volta 2{
\grace{as''16*2(} 4) 4 8 \grace{as16*2(} geh8) eeseh8 8 deh bes'
\grace{as16*2(} 4) 4 deh,8 \grace{geh16*2(} eeseh4) 8 deh bes'
}
}
|
| Radio Pakistan: A tune composed by Khwaja Khursheed Anwar. | \header{tagline = ##f title="Radio Pakistan"}
% https://www.intervalsignals.net/sounds/pak-rp_nca_151013.mp3
main = \relative{
\set Staff.midiInstrument = "lead 6 (voice)"
\key des \major \grace{s8}
r4 es'2.~ 4 as2.~ 4 g16 as bes as g as bes des~ 4~ 4 es2 as4
}
acco = {
\set Staff.midiInstrument = "sitar"
\set midiMaximumVolume = #0.6
\key des \major \clef bass
\grace{s8\sustainOn}
\repeat unfold 4 {4 4 4} s8
}
\score{\main}
\score{
<<\main \new Staff \acco>>
\midi{\tempo 4 = 69}
}
|
| :
Far East Broadcasting Company: 2nd segment of "We Have Heard the Joyful Sound (Jesus Saves)". | \header{tagline=##f title="FEBC"}
% https://www.intervalsignals.net/sounds/phl-febc_mon_280425.mp3
common = {\key f \major \partial 8*3}
mainA = \relative{c''8 c f~ 2 c8 f g a~ 2 r8 c c c~ 2 r8 g a f~ 2}
main = \relative{
\set Staff.midiInstrument = "celesta"
\clef "treble^(15)" \common \transpose c c' \mainA
}
acco = {
\set Staff.midiInstrument = "electric piano 1"
\set Staff.midiMaximumVolume = #0.6 \common
<<\mainA \\ \relative{r8 r8 \repeat unfold 4{8~ 4 4.}}>>
}
\score{\main \addlyrics{Spread the ti -- dings}
\layout{indent=0 line-width=120 \context{\Lyrics fontSize=-3}}
}
Radio Veritas Asia: "O via, vita, veritas".
\header{ title = "Radio Veritas Asia" }
% https://www.intervalsignals.net/sounds/phl-z-radio_veritas_asia_130518.mp3
\relative{
\key bes \major \partial 4
f'4 bes f g f bes4. c8 d4 4 c2 d4. c8 bes1\fermata
}
\midi{\tempo 4=100 \set Staff.midiInstrument = "shanai"}
|
| : Qatar Radio | \header{tagline=##f title="Qatar Radio"}
% https://www.intervalsignals.net/sounds/qat-z-qbs_french_010305.mp3
common = {\key ges \major \time 3/4}
main = \relative{
\set Staff.midiInstrument = "pizzicato strings"
\common \grace{s8} r4 r ces'' beseh4. ges8 ces4
beseh4. 8 4 r8 ges4 beseh8 r4 s8_"//"
}
acco = \relative{
\set Staff.midiMaximumVolume = #0.7
\common \grace{s8\sustainOn}
\repeat unfold 2{<<
{ges8 des' ges ces des ces ges'4. ces,8 des ges,}\\
{ges,2 r8 ges ges2 r8 ges}
>>}
}
\score{\main}
\score{
<<
\partCombine \main \transpose c c, \main
\new Staff \acco
>>
\midi{\tempo 4=112}
}
|
| Radio Romania International: The first nine notes of “Pui de lei", lyrics by Ioan S. Nenițescu and song by | \header{tagline=##f title="Radio Romania International"}
% https://www.intervalsignals.net/sounds/rou-rri_130308.mp3
main = \relative{\partial 4 g'4 e'4. d8 c b c d e2 c4 r}
\score{
<<
\main \\
{\set midiMaximumVolume = #0.5
\magnifyMusic 0.7 \transpose c c, \main}
>>
\layout{}
\midi{\tempo 4=100 \set Staff.midiInstrument = "electric piano 1"}
}
|
| Radio Mayak: Vibraphone version of Moscow Nights. | \header{ title = "Radio Mayak" }
% 0:19 https://www.intervalsignals.net/sounds/rus-radio_mayak_221007.mp3
\relative<<
\key e \minor \time 2/4
{e''8 g b g a4 g8 fis b4 a e2}\\{2 }
>>
\midi{\tempo 4=64 \set Staff.midiInstrument = "vibraphone"}
Radio Sakha: Excerpt from a Yakut folk song.
\header{ title = "Radio Sakha" }
% https://www.intervalsignals.net/sounds/rus-nvk_radio_sakha_180716.mp3
\relative<<
\key e \major \partial 4
{b'8 b gis'4. 8 16 a gis8 fis gis8~ 2.\fermata s8_"//"}\\
{s4 1*7/4}
>>
\midi{\tempo 4=63 \set Staff.midiInstrument = "drawbar organ"}
|
| : Radio Rwanda | \header{tagline = ##f title="Radio Rwanda"}
% https://www.intervalsignals.net/sounds/rrw-radio_rwanda_160809.mp3
main = \relative{
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\clef bass \time 12/8
\repeat volta 2{
g,8 ceh4 beh8 g4 4 r8 deh~ 4
g,8 ceh4 beh8 g4 g4 r8 ceh~ 4
}
}
cutt = \new DrumStaff \drummode{
\set Staff.midiInstrument = "brush kit"
\repeat volta 2{
r4 sn r r r sn r sn r r r sn
}
}
\score{\main}
\score{
\unfoldRepeats << \main \cutt >>
\midi{\tempo 4. = 142}
}
|
| : Radio Saudi International | \header{ title = "Radio Saudi International" }
% https://www.intervalsignals.net/sounds/ars-sba_rsi_181213.mp3
\relative{
\clef "treble_(8)" \key c \major \time 4/4 \partial 8 8
c c d c4. 8 c c d c4 d
eeh8 8 c c 8 8 8 8 s_" //"
}
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=90 \set Staff.midiInstrument = "acoustic guitar (nylon)"}
|
| RTV Slovenija: Electronically generated cuckoo chirping. | \header{tagline=##f title="Radio Slovenia"}
% 0:03 https://www.intervalsignals.net/sounds/svn-rs1_010804.mp3
main = {
\set Staff.midiInstrument = "ocarina"
\repeat volta 3 {e''8\omit-_ cis''\omit-_ r4 r2}
\mark \markup \tiny "3x"
}
\score{\main}
|
| : Radio Uganda | \header{tagline=##f title="Radio Uganda"}
% https://www.intervalsignals.net/sounds/uga-z-radio_uganda_external_service_cm_310382.mp3
% https://www.intervalsignals.net/sounds/uga-z-radio_uganda_blue_020603.mp3
main = \relative{
\key es \major \time 9/8 \repeat volta 2{
<<{
r8 bes''8 8 8 16 8 16 8 8 g r8 bes8 8 g16 8 16 8 8 bes r
}\\{
g,16 des bes f' des bes es g des bes bes f' bes, bes f' bes, es g
des es bes es es bes es g es g g des g f es bes des des
}>>
}
}
\score{\main
}
\score{\unfoldRepeats \main
\midi{\tempo 4.=106 \set Staff.midiInstrument = "xylophone"}
}
|
| Radio Ukraine International: "The Wide Dniepr Roars and Moans" (Реве та стогне Дніпр широкий). | \header{tagline=##f title="Radio Ukraine International"}
% https://www.intervalsignals.net/sounds/ukr-z-ur1_signon_250415.mp3
sustainOfn = \sustainOff\sustainOn
mainA = \relative{\time 3/4 a'4 c e a2 e4 d2 c4 2. b}
main = {
\set Staff.midiInstrument = "ocarina"
\clef "treble^(8)" \transpose c c' \mainA
}
acco = <<{
\set Staff.midiInstrument = "harpsichord"
\set Staff.midiMaximumVolume = #0.7 \mainA
}\\ \relative{
s2. \grace{a8\sustainOn e' c'}s2. \grace{d,,8\sustainOfn f' a}s2.
\grace{e,8\sustainOfn c' a'}s2. \grace{e,8\sustainOfn e'gis}s2. s8\sustainOff
}>>
\score{\main}
|
BBC World Service:
-
English programme: "St Mary-le-Bow", 10 Change ringing bells.
-
Non-English programme, non-Europe: three notes tuned B–B–C.
-
Non-English programme, to Europe: four notes tuned B–B–B–E.
| \header{tagline=##f}
% https://www.intervalsignals.net/sounds/ukg-bbcws_bow_bells_is_170701.mp3
main = {
\key b \major \omit\time 5/4 \omit Stem \slurDashed
\transpose f e \relative{
\repeat volta 4{e''4 d c b a \bar "'"}
\alternative
}
\bar " | " \mark \markup{\teeny \italic D.C.}
}
\score{<<\unfoldRepeats\main \new Staff{\skip 4*50}>>
\midi{\tempo 4=187 \set Staff.midiInstrument = "tubular bells"}
}
% https://www.intervalsignals.net/sounds/ukg-bbcws_b_interval_signal_170701.mp3
<<
\new Staff="bbc"<<
{b'2 2 c''1}\\ \magnifyMusic 0.7{2 2 1}
>>
\new Lyrics \with{alignAboveContext="bbc"} \lyricsto "1"{B -- B -- C}
>>
\midi{\tempo 4=106 \set Staff.midiInstrument = "electric piano 1"}
% https://www.intervalsignals.net/sounds/ukg-bbcws_v_interval_signal_170701.mp3
<<
\voices 2,1<<
{\clef "treble_(8)" \time 2/4 r8 b[ b b] e}\\
\magnifyMusic 0.6{r8 b'[ b' b'] e''}
>>
\new Lyrics \lyricsto "2"{B -- B -- B -- E}
>>
\midi{\tempo 4=88 \set Staff.midiInstrument = "electric piano 1"}
|
| :
NBC: NBC chimes | \header{ title = "Interval signal for NBC" }
{
\set Staff.midiInstrument = "vibraphone"
\omit Staff.TimeSignature
\cadenzaOn
g'2 e'' c''1*2 \bar " | "
}
\midi{\tempo 2 = 152}
|
| Trans World Radio (TWR) |
| Trans World Radio: Hymne Monégasque (Monaco anthem) | \header{tagline=##f title="Trans World Radio"}
% https://www.intervalsignals.net/sounds/mco-twr_romanian_150411.mp3
common = {\key g \major \time 6/8}
main = \relative {
\clef "treble^(8)" \common d''4. g4 a8 b4. c4 b8 a4. b4 a8 g4. d
d' d4 8 4.~ 4 g,8 a4 b8 c4 b8 a2.
}
acco = {
\common 2.~ 2. 2. 2. 2.~ 2. 2.~ 2.
}
\score{\main
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4.=116 \set Staff.midiInstrument = "electric piano 1"}
}
|
| TWR Europe: Amazing Grace | \header{tagline=##f title="TWR Europe"}
% https://www.intervalsignals.net/sounds/mco-twr_europe.mp3
-
(define (mag mus) #{ \stemDown \magnifyMusic 0.7{#mus } \stemUp #})
m = \applyMusic #mag \etc
common = {\key g \major \time 3/4 \partial 4}
\score{
\relative<<{
\common d''4 \tuplet 3/2 4{g4 \m{d8 g4 b8} b a g} b4 \m{d,} a'
\tuplet 3/2 4{g4 \m{c8}} \m{g4} e d2.
}\\ \magnifyMusic 0.6{
\common s4 2.
}>>
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"}
}
|
| TWR Albania: last segment of "What a Friend We Have in Jesus" | \header{tagline=##f title="TWR Albania"}
% https://www.intervalsignals.net/sounds/alb-twr_c1998.mp3
-
(define (mag mus) #{ \stemDown \magnifyMusic 0.7{#mus } \stemUp #})
m = \applyMusic #mag \etc
\score{
\new Staff="what"<<
\relative \voices 1,2,4<<{
\key e \major
\tuplet 3/2 4{b''4 \m{e,8 gis4} b8 cis4 b8 gis4 e8} e4 \m{cis4} \tuplet 3/2 4{4 \m{e8 dis4 cis8}}
b4 \tuplet 3/2 4{\m{4} e8 gis4 fis8 e4 dis8} e2. r4
}\\ \magnifyMusic 0.6{
2 4 2 2 2 b2 2.
}\\ \magnifyMusic 0.6{
s1 s1 s2 \shiftOff 4 a
}>>
\new Lyrics \with{alignAboveContext="what"}
\lyricsto "1"{All - - be -- cause}
>>
\layout{indent=0 line-width=120
\context{\Staff \magnifyStaff 0.9}
\context{\Lyrics fontSize=-3}
}
\midi{\tempo 4=118 \set Staff.midiInstrument = "vibraphone"}
}
|
| TWR Guam: first part of "We've a story to tell to the nations" | \header{tagline=##f title="KTWR"}
% https://www.intervalsignals.net/sounds/gum-ktwr_130815.mp3
sustainOfn = \sustainOff\sustainOn
common = {\key d \major \partial 4}
main = \relative{
\clef "treble^(8)" \common \tuplet 3/2{d''4 e8}
fis4 4 g \tuplet 3/2{fis4 eis8} fis2 d4 \tuplet 3/2{fis g8} a4 4 b \tuplet 3/2{a gis8} a2. r4
}
acco = \relative{
\set Staff.midiInstrument = "acoustic guitar (steel)"
\set Staff.midiMaximumVolume = #0.7
\clef "treble_(8)" \common s4
<<{
\grace{d16\sustainOn a' d}fis2 \grace{g,,16\sustainOfn g' d'}a'2
\grace{d,,16\sustainOfn a' d}fis1
\grace{d,16\sustainOfn a'}e'2 \grace{e,16\sustainOfn gis}e'2
\grace{a,,16\sustainOfn cis'}e2. r4\sustainOff
}\\{
s1 s4 \tuplet 3/2 4{d4 e8 fis4 e8 d4 cis8} d4 cis b gis a2.
}>>
}
|
| TWR Africa: last part of "We've a story to tell to the nations" | \header{tagline=##f title="TWR Africa"}
% https://www.intervalsignals.net/sounds/swz-twrafrica_sw_300724.mp3
common = {\key g \major \partial 4}
main = \relative{
\clef "treble^(8)" \common d'''4 g g fis e8. 16 d4 b g c
b b8. 16 4 a g \magnifyMusic 0.6{d'8. 16 g2\longfermata}
}
acco = \relative{
\set midiMaximumVolume = #0.5
\common d'4 g e
2 s1 s
}
\score{\main \addlyrics{And Christ’s}
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=132 \set Staff.midiInstrument = "fx 3 (crystal)"}
}
|
| TWR Bonaire: last part of Stand Up, Stand Up for Jesus by George James Webb, in various renditions | \header{tagline=##f title="TWR Bonaire"}
% 0:06 https://shortwavearchive.com/archive/trans-world-radio-pjb-bonaire-june-30-1993
common = {\key bes \major \partial 4}
mainA = \relative{\common f''4 bes4. 8 d4 bes4 2 g4 bes f bes d c bes1}
main = <<\magnifyMusic 0.6 \transpose c c' \mainA \\ \mainA>>
\score
\score{
<<
<<\mainA \\ \transpose c c, \mainA>>
\new Staff \relative{
\set midiMaximumVolume = #0.8 \clef bass \common s4
bes,4 -. r q-. es, -. r q-.
bes,4 -. f, -. bes,-_ f-_ bes-_ bes,-_
}
>>
\midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"}
}
|
| Voice of America: Brass band version of "Yankee Doodle". | |
| WEWN, later EWTN Global Radio: "Salve Regina" (in simple tone) by Henri Dumont | \header{ title = "WEWN" }
% https://www.intervalsignals.net/sounds/usa-wewn_al_181212.mp3
\relative{
\clef "treble_(8)" \omit Staff.TimeSignature
\key des \major \cadenzaOn \hide Stem
des4 f as bes4*5/4 as2*9/8 \bar "'"
bes4 des c bes as bes as as2*7/4 \bar "'"
des4*3/2 as4*11/4 bes4*5/4 ges2*9/8 es2*11/8 \bar "'"
f4 ges as4*5/4 f4*6/4 f4*7/4 es des2*2 s4 \bar " | "
}
\midi{\tempo 2=73 \set Staff.midiInstrument = "choir aahs"}
|
| Vatican Radio: "Christus Vincit" by Aloys Kunc. | \header{tagline=##f title="Interval signal for Vatican Radio"}
% https://www.intervalsignals.net/sounds/cva-z-vatican_radio_c1982.mp3
common = {\key f \major}
sustainOfn = \sustainOff\sustainOn
mainA = \relative{a'''2 a c c f, f a a d g, c f,4 bes a2 g4. f8 1}
main = {
\set Staff.midiInstrument = "celesta"
\clef "treble^(8)" \common \grace{s8 s s}
\partCombine \mainA \transpose c c, \mainA
}
acco = {
\set Staff.midiInstrument = "orchestral harp"
\set midiMaximumVolume = #0.9 \clef bass \common
\grace{f8\sustainOn a c'}f'1
\grace{e8\sustainOfn g c'}g'1
\grace{d8\sustainOfn a d'}f'2 b
\grace{c8\sustainOfn g a }e'1
2\sustainOff 4\sustainOn bes,
2\sustainOff 4\sustainOn g,
2\sustainOff
\grace{f,8\sustainOn c a}f'1
}
\score
|
| Radio Nacional de Venezuela's : Beginning of "Alma Llanera" by Pedro Elías Gutiérrez and Rafael Bolívar Coronado. | \header{ title = "Radio Nacional de Venezuela" }
% https://www.intervalsignals.net/sounds/ven-rnv_international_101008.mp3
\relative{
\key f \major \time 3/4
r4 c'' c f e8 g4 f8 a4 g8 f4 e8 g4 f8 e4 d8 e4 c r4
}
\addlyrics{Yo na -- cí~en es -- ta ri -- be -- ra del A -- rau -- ca vi -- bra -- dor}
\layout{indent=#0 line-width=#120 }
\midi{\tempo 2.=72 \set Staff.midiInstrument = "synthbrass 2"}
|
| Đài tiếng nói Việt Nam (VOV): latter half of "Diệt phát xít" | \header{tagline=##f title="Voice of Vietnam"}
% https://www.intervalsignals.net/sounds/vtn-vov5_150405.mp3
mainA = \relative{
\set Staff.midiInstrument = "violin" \partial 4
d'''8.-. 16 8 r d8.-. c16 d8 r d8.-. c16 a8.-. g16 c8.-. d16 e8 r \bar ""
e8.-. 16 d8 r d8.-. 16 8 r d8.-. e16 d8.-. c16 a8.-. c16 g4
}
acco = \relative{
\set Staff.midiInstrument = "electric piano 1"
\clef bass \partial 4 r4
<<{
\set midiMaximumVolume = #0.6
r8 r q r q r q r q r q r r q
r r q r q r q 4 s8
}\\{
g,,4-. d-. g-. d-.-. g d-. c-. e-. g-. d-. g-. d-. g-. d-. g4
}>>
}
\paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 10))}
\score\\
{1~ 1 1~ 1}
>>
}
\drums{\repeat unfold 8{<<{8 8 ss q}\\{bd4. 8}>>}}
>>
\score{\main}
\score{<<\main \acco>> \midi{\tempo 4=160}}
\header{tagline=##f title="Në njërën dorë kazmën në tjetrën pushkën"}
% https://www.intervalsignals.net/sounds/alb-z-radio_tirana_c1980.mp3
common = {\key g \minor \time 2/4 \partial 16}
main = \relative{\common d''16-. 4-_ 8. es16-. d4-_ c8. a16-. bes2 g}
acco = \relative{
\set midiMaximumVolume = #0.7 \common bes'16-. 4-_ a-_ g-_ d-_ g2 d
}
\score
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=114 \set Staff.midiInstrument = "trumpet"}
}
|
| Radio Australia
Chorus segment of Waltzing Matilda; Kookaburra call; News signature tune: Majestic Fanfare. | \header{tagline=##f title="Radio Australia"}
% https://www.intervalsignals.net/sounds/aus-radio_australia_061104.mp3
\paper{indent=#0 line-width=#120
system-system-spacing = #'((basic-distance . 9))
}
common = {\key f \major}
main = \relative{
\clef "treble^(8)" \common
c'''4 c8. 16 4 a-. f'4 8. e16 d4 c4
4 8 8 d4 c8 8 4 bes8 a g4 f8 g
a4 8 8 g4 4 f8 g a f d e f4 c f8 a c4 bes8 a g4-. g8-. g f2
}
acco = \relative{
\set Staff.midiMaximumVolume = #0.6 \common
\voices 2,1,3<<{
f'8 a c a f a c a f bes d bes f bes a4
8 c, a'-. a bes c, a'-. a-. a c, g' f e c d e
f a c a e bes' c bes d, a' d4 \stemUp f,8 g as4 \stemDown
c,8 f a4 c,8 a' g f e c d e f2
}\\{
f2 f f f4 s s8 c4. s8 c4. s8 c4. s2
f2 e d \stemDown bes4 b \stemUp c2 c4
}\\{
4 s4 s2 bes4 4 f4 4 4 8-. 8-. 4 8-. 8-. f4 s4 s2
s1 s1 s1 s4 bes,-. a2
}>>
}
\score
First four notes of O Canada, played on piano (played in G major) , an electronic square wave |
| Cyprus Broadcasting Corporation | \header{tagline = ##f title="Avkoritissa (Αυκορίτισσα)"}
% 0:24 https://www.intervalsignals.net/sounds/cyp-cybc1_100910.mp3
main = \relative{
\set Staff.midiInstrument = "flute"
\set midiMaximumVolume = #0.9
\clef "treble^(8)"
\partial 16*3 g''16 a b16*2
\grace{c8 d} c8.*2/3 a16 b8 g d'4 r16 g,16 a b16*2
\grace{c8 d} c8.*2/3 a16 b8 g a2
}
acco = {
\set Staff.midiInstrument = "string ensemble 1"
\set midiMaximumVolume = #0.7
\clef bass \partial 16*3 s16 s8
4 2
4 2
s8
}
\score{
<<\main \new Staff \acco>>
\midi{\tempo 4 = 102}
}
Closing segment of Avkoritissa (Αυκορίτισσα), a traditional Cypriot song of Avgorou |
| Radio Prague | Smetana, Má vlast, 1. Vyšehrad
\header{tagline=##f title="Czechoslovak Radio"}
% https://www.intervalsignals.net/sounds/tch-z-csr_praha_210868.mp3
common = {\clef "treble_(8)" \key es \major \time 3/4}
sustainOfn = \sustainOff\sustainOn
mA = {\common
4 r8 4
}
mB = {\common
\grace{es32\sustainOn g}bes4 \grace{c32\sustainOfn es g c'}es'4 r8 \grace{d32\sustainOfn f bes}d'8 \grace{es32\sustainOfn g}bes4
}
\score{\mA}
\score{\mB \midi{\tempo 4 = 50 \set Staff.midiInstrument = "orchestral harp"}}
Last segment of Kupředu levá ("Forward, Left") by Jan Seidl
\header{ title = "Radio Prague" }
% https://www.intervalsignals.net/sounds/tch-z-radio_prague_swahili_c1975.mp3
<<
\relative<<{
\set Staff.midiInstrument = "trumpet"
\key d \major a'8.-. d16 4 e8-. d4.
b8.-. d16 4 e8-. \cadenzaOn d4.*3\fermata
}\\{
\set midiMaximumVolume = #0.6
fis,8.-. 16 4 8-. 4.
g8.-. 16 4 8-. 4.*3\fermata s8
}>>
\new Lyrics \lyricsto "1"{
Ku -- pře -- du le -- vá, ku -- pře -- du le -- vá,
}
>>
\midi{\tempo 4=104}
Adagio – Allegro molto from Symphony No. 9 by Dvořák.
\header{ title = "Radio Prague" }
% https://www.intervalsignals.net/sounds/cze-z-cro7_radio_prague_021102.mp3
% Mvt.1, b.189
\relative{
\set Staff.midiInstrument = "french horn"
\set midiMaximumVolume = #1.0
\key e \major \time 2/4
\omit Script e'4. e8-. cis-. b4.
\undo\omit Script e8. gis16-. b8-. 8-. 2
}
\midi{\tempo 4 = 110}
|
| Radio Denmark: Carl Nielsen, Moderen, Scene7 No.22 Som en rejselysten flåde | \header{tagline = ##f title="Radio Denmark"}
% https://www.intervalsignals.net/sounds/dnk-z-radio_denmark_c1978.mp3
main = \relative{
\clef "treble^(8)"
\key g \major \partial 4
g''8 fis g4 d g a b2 a4 c8 b a4 g g fis g2. r4
}
acco = \relative{
\set Staff.midiMaximumVolume = #0.7
\key g \major \partial 4
<<{
g'8 fis g4 d g a 2 4 8 4 2.
}\\{
s4 s1 g,,4 b d e a e c d g,2.
}>>
}
\score{\main}
\score{
<<
\set Score.midiInstrument = "celesta"
\main \new Staff \acco
>>
\midi{\tempo 4 = 94}
}
|
| HCJB: using a motif from Great Is Thy Faithfulness | \header{tagline=##f title="The Voice of the Andes"}
% 0:10 http://www.kawamura-photo.sakura.ne.jp/bcl/sound/hcjb2000.mp3
% https://www.youtube.com/watch?v=2P-z_OqSEFo
common = {\partial 4}
ep = {\set Staff.midiInstrument = "electric piano 2"}
st = {\set Staff.midiInstrument = "string ensemble 1"}
mainB = \relative<<{r8 g''2 4 d f4. e8 e2}\\{g,8-. c4-. r8 g-. c4-. r8 g-. c-. g-. c-. g-. c4-. s}>>
main = \relative{
\ep \common \partial 4 c''16 d e f
\new Voice="1A"{g8-. g-. g-. d-. f8. e16 8-. d-.}
c-. d-. e-. d16 c d8-. g,8-. g-. c-.
g'8-. g-. g-. d-. f8. e16 8-. d-.
c-. d8*3/2-. \grace{d8 e}d8.*2/3 c16 \once\stemUp 4.
\st \mainB s8_"//"
}
acco = \relative{
\ep \common s4 s1 r2 r4 r8 c'8 g'2. r8 c,16 c g'2. r8
\st \transpose c c, \mainB
}
\score{
\new Staff="gr"<<
{\omit Staff.Script \main}
\new Lyrics
\lyricsto "1A"{Great _ is Thy faith -- ful -- ness}
\new Lyrics \with{alignAboveContext="gr"}
\lyricsto "1"{Great is Thy faith -- ful -- ness}
>>
}
\paper{indent=#0 line-width=#120 system-system-spacing = #'((basic-distance . 10))}
HCJB Japanese program: "Sakura Sakura" (さくらさくら, cherry blossoms)
\header{tagline=##f title="The Voice of the Andes (Japanese)"}
% https://www.intervalsignals.net/sounds/eqa-z-hcjb_japanese_1975.mp3
common = {\key c \minor}
main = {
\set Staff.midiInstrument = "marimba"
\set midiMaximumVolume = #0.8 \common
\relative{c''4 4 d2 c4 4 d2 c4 d es d c d8 c as2 s8_"//"}
}
acco = <<
\new Staff \relative{
\set Staff.midiInstrument = "marimba"
\set midiMaximumVolume = #0.6 \common
\repeat percent 2{
\repeat percent 8{c'64*1/2 es64*3/2 c'64*1/2 g64*3/2}
\repeat percent 8{d64*1/2 g64*3/2 d'64*1/2 b64*3/2}
}
\repeat tremolo 4{c,32 c'} \repeat tremolo 4 {d, d'}
\repeat tremolo 4{es, es'} \repeat tremolo 4{d, d'}
\repeat tremolo 4{c, c'} \repeat tremolo 2{d, d'} \repeat tremolo 2{c, c'}
\repeat tremolo 8{as, as'}
}
\new Staff \relative{
\set Staff.midiMaximumVolume = #0.6 \clef bass \common
\repeat percent 2{<<{s2 r8 g'' es d}\\{4-. r 2}>>}
es'8 g' g, g' c,, g'' g, g' f, as' es,4 d8 f' g as
}
>>
\score{\main}
|
Yle Radio 1: Pim-pam-pulla, a tune from the 1700s proposed by A. O. Väisänen for 5-string kantele.[; ] | \header{ title = "Radio Finland (Yle)" }
"Uusi väliaikamerkki"
<<\relative{
\key f \major c''2 bes4 a g2 a2 c bes4 a g1 a
}\\ \magnifyMusic 0.7 \relative{
\set midiMaximumVolume = #0.9 f'1 c'2 f,~ f r c'1
}>>
\midi{\tempo 4=95 \set Staff.midiInstrument = "electric piano 1"}
|
Radio France Internationale: a popular song, . | \header{tagline = ##f title="Radio France Internationale"}
% https://www.intervalsignals.net/sounds/fra-z-rfi_c1975.mp3
main = \relative{
\key g \major \time 2/4
\set Staff.midiInstrument = "trumpet"
\omit Script
r8. g'16-. b8-. c-. d4 g d \grace{\scaleDurations 2 {c16( e}} d8-.) c-. b4 a g2
}
acco = {
\key g \major
\set Staff.midiInstrument = "bassoon"
\set Staff.midiMaximumVolume = #0.7
<<
\relative{
r8. g'16 fis8-. e-. d8. c16 b8-. c-. d-. c-. b-. c-. d8. s16 s8 d-. b2
}\\{
g2~ 2~ 2 d8. d'16 d'8-. d-. g2
}\\ \relative{
s2 b'8. a16 g8-. a-. b8. g16 g8-. e-. g4. fis8-. g2 s8
}>>
}
\score{\main}
\score{
<<\main \new Staff \acco>>
\midi{\tempo 4 = 110}
}
|
| Nordwestdeutscher Rundfunk: The 4th symphony by Johannes Brahms. | \header{tagline=##f title="NWDR"}
% https://youtu.be/0xAWEL6mnZI
% Mvt.1 b.112
main = \relative{
\set Staff.midiInstrument = "french horn"
\set midiMaximumVolume = #0.9 \key b \major \time 2/2
\tuplet 3/2 2{r4 r 8-. -. 4-. -. -.} 2*2/3
}
acco = {
\set Staff.midiInstrument = "timpani"
\set midiMaximumVolume = #0.8 \clef bass \omit Dots
\repeat tremolo 24 b,16*2/3 b,2
}
\score
|
| : Ending bars of Volk ans Gewehr, played on celesta. | \header{ title = "Reichssender Berlin" }
% https://rias1.de/audiokennung.htm#:~:text=Reichsprogramm
\relative{
\clef "treble^(8)" \key d \minor
f'''2 a,4. d8 1 <<{a2 a4. a8}\\{a2 g}>> 1
}
\addlyrics{Volk ans Ge -- wehr}
\midi{\tempo 4=90 \set Staff.midiInstrument = "celesta"}
|
| Berliner Rundfunk: Motif from the opera Regina, Act3 Finale by Albert Lortzing, played by horns. \header{ title = "Berliner Rundfunk" }
% https://www.intervalsignals.net/sounds/ger-z-brf_c1975.mp3
% Act3 Finale
\relative{
\key f \major \time 3/4
\set Staff.midiInstrument = "french horn"
\set Staff.midiMaximumVolume = #0.9
\omit Staff.Script
\partial 4
<<{
c'4-. bes'8.-. a16-. g4-. f-. e8.-. f16-. g4-.
}\\{
c,4-. g'8.-. f16-. e4-. d-. c8.-. d16-. e4-.
}
>>
}
\midi{\tempo 4 = 100}
Radio Berlin International: Beginning of Auferstanden aus Ruinen ("Risen from Ruins"), played on chimes.
\header{ title = "Radio Berlin International" }
% https://www.intervalsignals.net/sounds/ger-z-rbi_rvd_1975.mp3
\relative{
\set Staff.midiInstrument = "electric piano 1"
\key as \major \time 2/4
4 4 4 4
}
\midi{\tempo 4 = 69}
Radio DDR: Refrain of Wann wir schreiten Seit’ an Seit’
\header{ title = "Radio DDR" }
% https://www.intervalsignals.net/sounds/ger-z-radio_ddr1-2_c1988.mp3
\relative{
\set Staff.midiInstrument = "oboe"
\set midiMaximumVolume = #0.9
\key g \major \time 3/2 \partial 2 \omit Staff.Script
4-_ 4-_ 2.-_ 4-_ -_ -_ 2~ \hideNotes 4 s8
}
\addlyrics{Mit uns zieht die neu -- e Zeit}
\midi{\tempo 4=108}
Radio NTS: Tchaikovsky, Symphony #5, Mvt.4
- "Ode to Joy"
|
Germany
Deutschlandfunk: Ending bars of "Ich hab' mich ergeben" by August Daniel von Binzer.
\header{ title = "DLF" }
% https://rias1.de/audiokennung.htm#:~:text=Deutschlandfunk,-1963
\relative{
\set Staff.midiInstrument = "celesta"
\clef "treble^(8)" \key d \major \partial 4 d''4
4 4 2 2
}
\addlyrics{Dir Land voll Lieb' und Le -- ben}
\midi{\tempo 4=76}
RIAS Berlin:
\header{ title = "RIAS Berlin" }
% https://www.intervalsignals.net/sounds/ger-z-rias_c1948.mp3
\relative{
\set Staff.midiInstrument = "electric piano 1"
\clef "treble^(8)"
\partial 4 g''8 16
8 2
}
\midi{\tempo 4 = 72}
Deutschlandsender: Mozart, The Magic Flute ( Ein Mädchen oder Weibchen) / Schubart, Üb’ immer Treu und Redlichkeit
\header{ title = "Deutschlandsender" }
% https://rias1.de/audiokennung.htm#:~:text=Deutschlandsender
{
\set Staff.midiInstrument = "orchestral harp"
\key g \major \time 2/4 \partial 4
d'4 4 4 4 4 << { b'4. a'8 } \\ { g'4 d' } >>
}
\midi {\tempo 4 = 90}
| \header{tagline = ##f title="Reichssender Berlin"}
% https://www.intervalsignals.net/sounds/ger-z-reichssender_berlin_1935.mp3
main = \relative{
\set Staff.midiInstrument = "brass section"
\set midiMaximumVolume = #0.9
\key bes \major
bes4 d8-. f-. bes2 4 8-. -. 2
}
acco = {
\clef bass
\set Staff.midiInstrument = "timpani"
r2 r8 d16 d d4 r2 r8 d16 d d4 s
}
\score{\main}
\score{
<<\main \new Staff \acco>>
\midi {\tempo 4 = 114}
}
|
| ORAG Königsberg | |
| Friedrich Dewischeit, Masurenlied ( Wild flutet der See) | \header{tagline = ##f title="Ostmarken Rundfunk"}
% https://rias1.de/audiokennung.htm#:~:text=ORAG
main = {
\key d \major \time 6/8
\set midiMaximumVolume = #1.2
d''4. fis'8. g'16 a'8 d'2.
}
acco = {
\set midiMaximumVolume = #0.8
\clef bass \key d \major
2. 2.
}
\score{\main}
\score{
<<
\set Score.midiInstrument = "orchestral harp"
\main \new Staff \acco
>>
\midi{\tempo 4. = 60}
}
Wo des Haffes Wellen trecken an den Strand
\header{ title = "Ostmarken Rundfunk" }
caution:
% https://www.radiomuseum.org/images/audioimages_klein/Reichssender_Koenigsberg.jpg
\relative{
\key g \major \time 6/8 \partial 4.
<<
{b'4 a8 g4 fis8 g4 fis8 g4 b8 e4 d8 a2.}
\\
\magnifyMusic 0.7{d,4 c8 4 a8 4 a8 4 8 4. 2.}
>>
}
\midi{\tempo 4. = 60}
NORAG Hamburg: Richard Wagner, Der fliegende Holländer, Act 3, Steuermann, lass die Wacht (Sailors' Chorus)
\header{ title = "Nordische Rundfunk" }
% https://rias1.de/audiokennung.htm#:~:text=NORAG
\relative{
\set Staff.midiInstrument = "orchestral harp"
\key g \major \time 2/4
16 16 8 4~ 8 8 4
}
\midi {\tempo 4 = 69}
NDR Hamburg
Johannes Brahms, Symphony #2, Mvt.1
\header{tagline = ##f title="Nordische Rundfunk"}
% Mvt.1, b.425
% https://www.intervalsignals.net/sounds/ger-z-ndr_010156.mp3
main = \relative{
\set Staff.midiInstrument = "oboe"
\set midiMaximumVolume = #0.9
\key d \major \time 3/4
\partial 4 8
2 8
4
}
acco = \relative{
\set Staff.midiInstrument = "clarinet"
\set midiMaximumVolume = #0.6
\key d \major \partial 4 s4
2 8
4
s8
}
\score{\main}
\score{
<<\main \new Staff \acco>>
\midi {\tempo 4 = 130}
}
(Dominant major ninth chord)
\header{tagline = ##f title="Nordische Rundfunk"}
% https://www.intervalsignals.net/sounds/ger-z-ndr_rvd_c1975.mp3
main = {
\set Staff.midiInstrument = "ocarina"
\key d \major \omit Script
a4-! cis'-! e'-! g'-! b'-!
\ottava 1
a'''4*5/4-! a'''-!
}
accA = {
\set Staff.midiInstrument = "ocarina"
\clef bass \key d \major
r1 r4 a,4*5/4-! a,-!
}
accB = \relative{
\set Staff.midiInstrument = "tremolo strings"
\set midiMaximumVolume = #0.4
\clef "treble_(8)" \key d \major
1*2 s4
}
\score{\main}
\score{
<<\main \new Staff \accA \new Staff \accB>>
\midi{
\tempo 4 = 90
\set Score.midiReverbLevel = #1.0
}
}
WERAG Köln:
\header{ title = "Westdeutsche Rundfunk" }
{
caution:
% https://www.radiomuseum.org/images/audioimages_klein/Pausezeichen_Koeln.jpg
\set Staff.midiInstrument = "celesta"
\omit Staff.TimeSignature
\cadenzaOn
dis''2 fis'2 b2
}
WDR Köln: Beethoven, Bundeslied ( In allen guten Stunden)
\header{ title = "Westdeutscher Rundfunk" }
% https://www.intervalsignals.net/sounds/ger-z-wdr_010156.mp3
\relative{
\key bes \major \partial 4 f'4 \omit\sustainOn f
\omit\sustainOff 2 4*2\fermata
}
\midi{\tempo 4=124 \set Staff.midiInstrument = "electric piano 1"}
Deutsche Stunde in Bayern München: Richard Wagner, Parsifal, Parsifal bell
\header{ title = "Bayerischer Rundfunk" }
% https://rias1.de/audiokennung.htm#:~:text=München
{
\set Staff.midiInstrument = "orchestral harp"
\set midiMaximumVolume = #1.3
\key as \major \clef bass
\omit Staff.TimeSignature
as, es, f, c,
}
\midi {\tempo 4 = 38}
BR München: Wilhelm Wiesberg, Solang der alte Peter
\header{ title = "Bayerischer Rundfunk" }
% https://rias1.de/audiokennung.htm#:~:text=Bayerischer%20Rundfunk,-1963
\relative{
\set Staff.midiInstrument = "orchestral harp"
\set midiMaximumVolume = #1.2
\key es \major \time 3/4 \partial 4 bes4
2 4 2 4 2.
}
\midi{\tempo 4 = 112}
Schlesische Funkstunde Breslau: Hohenfriedberger Marsch
\header{tagline = ##f title="SFAG Breslau"}
% https://rias1.de/audiokennung.htm#:~:text=Breslau
main = \relative{
\clef "treble^(8)" \partial 4 g''4
4 8. 16 4 8. 16 8. 16 2
}
acco = \relative{
\partial 4 g'4 c, g' c g c g c,2
}
\score{\main}
\score{
<<
\set Score.midiInstrument = "celesta"
\new Staff \main \new Staff \acco
>>
\midi {\tempo 4 = 88}
}
Sender Freies Berlin: Es-F-B
\header{ title = "SFB" }
% https://www.intervalsignals.net/sounds/ger-z-sfb_rvd_1975.mp3
<<
<<{\time 2/2 s1 es 2 f bes'1}\\{es'2 f' bes1*3/2}>>
\new Lyrics \lyricsto "2"{S -- F -- B}
>>
\midi{\tempo 2=54 \set Staff.midiInstrument = "electric guitar (jazz)"}
Radio Saarbrücken: Kein schöner Land in dieser Zeit
\header{ title = "Saarländischer Rundfunk" }
% https://www.intervalsignals.net/sounds/ger-z-radio_saarbrucken_1950.mp3
\relative{
\key f \major \time 3/4 \partial 8*3 c''8 c c
4\omit\sustainOn g8 f 2.\omit\sustainOff
}
\midi{\tempo 4=54 \set Staff.midiInstrument = "vibraphone"}
SR Saarbrücken: Steigerlied (2nd line: Und er hat sein helles Licht bei der Nacht)
\header{ title = "Saarländischer Rundfunk" }
% https://www.intervalsignals.net/sounds/ger-z-sr1_europawelle_c1975.mp3
<<
\new Staff="SR" \relative<<{
\key f \major \partial 4 \omit Staff.Script
f'8-. g-. a4-_ a-_ a-_ g8-. a-. bes4-_ g8.-_ 16-. 2
}\\{a,8-. c-. f4-_ f-_ f-_ c8-. f8-. g4-_ c,8.-_ 16-. 2
}>>
\new Lyrics \with{alignAboveContext="SR"}
\lyricsto "1"{Und er hat sein hel -- les _ Licht bei der Nacht}
>>
\midi{\tempo 4=92 \set Staff.midiInstrument = "french horn"}
SWF Baden-Baden: Mozart, The Magic Flute (Act 2: No.21, Finale: Bald prangt, den Morgen zu verkünden)
\header{ title = "Südwestfunk" }
% https://www.intervalsignals.net/sounds/ger-z-swf1_1974.mp3
\relative{
\omit Staff.Script
\key es \major \partial 4
<<{
bes'4-_
4. d8 es8. d16 c8. f16 es4 d
} \\ \magnifyMusic 0.7{
4-_
4. 8 8. es,16 as8. f16 4
}>>
}
\midi{\tempo 4 = 72}
SDR Stuttgart: Silcher, Jetzt gang i ans Brünnele
\header{ title = "Süddeutscher Rundfunk" }
% https://www.intervalsignals.net/sounds/ger-z-sdr_c1970.mp3
\relative{
\omit Staff.Script
\set Staff.midiInstrument = "clarinet"
\key bes \major \time 3/4 \partial 4
<<{
f'4-_ bes4.-_ a8-. bes-. c-. d4.-_ es8-. \cadenzaOn d4*2 \bar " | ."
}\\ \magnifyMusic 0.7 {
s4 r2 f,4-_ bes f bes,4*2
}>>
}
\midi{\tempo 4 = 100}
HR Frankfurt: Hermann Heiss
\header{ title = "Hessischer Rundfunk" }
% https://www.intervalsignals.net/sounds/ger-z-hr_rvd_c1975.mp3
{
\set Staff.midiInstrument = "electric piano 1"
\omit Staff.TimeSignature \cadenzaOn
\ottava -1
4\omit\sustainOn
\ottava 1
c'''4.*5/6 a''8*3/2[ e''8 b'8*3/2]
1
}
\midi{\tempo 4 = 72}
Radio Bremen: Bach, Mass in B minor, Et in terra pax
\header{ title = "Radio Bremen" }
% https://rias1.de/audiokennung.htm#:~:text=Bremen,-1963
\relative{
\set Staff.midiInstrument = "electric piano 1"
\key d \major \omit Script
r4 4~ 8 8-. 8 8-. 8 2
}
\midi{\tempo 4 = 90}
|
| Radio Budapest:
Excerpts from the suite 1848 by T.K. Polgar played on three trumpets and two cornets. | \header{tagline=##f title="Radio Budapest"}
% https://www.intervalsignals.net/sounds/hng-z-radio_budapest_fdxa_c1976.mp3
common = {\key a \major}
main = \relative{
\set Staff.midiInstrument = "trumpet" \common
<<{
e''2-_ a8-. e-. d8.-. fis16-. e1-_
4.-_ 16-. 16-. a8-. e-. d8.-. fis16-. e1
}\\ \magnifyMusic 0.7{
\set midiMaximumVolume = #0.6
2-_ 8-. -. 8.-. 16-. 1-_
4.-_ 16-. 16-. 8-. -. 8.-. 16-. 1
}>>
}
acco = \relative{
\set Staff.midiInstrument = "french horn" \common
r4 a'2 e4-_ a e8. 16-. a8-. e-. a4
r4 a2 e4-_ a e8-. 16-. e-. a8-. e-. a4 s
}
\score
Budapest 2
\header{ title = "Hungarian Telephone & Radio" }
% https://www.intervalsignals.net/sounds/hng-z-mtr_budapest2_1942.mp3
\relative{
\set Score.midiInstrument = "celesta"
\clef "treble^(8)" \key ges \major
\repeat unfold 2{4 } 4
}
\midi {\tempo 4 = 63}
|
| Kol Yisrael: latter half of Hatikvah played on trumpets and timpani. | \header{tagline=##f title="Kol Yisrael"}
% https://www.intervalsignals.net/sounds/isr-z-voice_of_israel_fdxa_c1976.mp3
main = \relative{
\set Staff.midiInstrument = "trumpet" \key d \minor
\omit Staff.Script
<<{
d'4-_ 4-_ 4-_ 4-_ 8-. -. -. -.
\cadenzaOn 2*2
}\\{
\set midiMaximumVolume = #0.7
d,4-_ d4-_ 4-_ 4-_ d2 \undo\omit Staff.Script d2*2_\fermata
}>> \bar " | "
}
acco = {
\set Staff.midiInstrument = "timpani"
\set midiMaximumVolume = #0.9
\clef bass \omit Dots s1 s2 d8 a, d
\repeat tremolo 3 d16*2/3 \repeat tremolo 6 d d4 s
}
\score{<<\new Staff="ISR" \main
\new Lyrics \with{alignAboveContext="ISR"}
\lyricsto "1"{Od lo av -- dah ti -- kva -- te -- _ nu}
>>
}
|
| Rai Italia Radio: Mechanically generated canary chirping. | \header{tagline=##f title="Rai Italia Radio"}
% https://www.intervalsignals.net/sounds/ita-z-rai_international_220907.mp3
main = \relative{
\clef "treble^(15)" \omit Staff.TimeSignature
\time 17/16 \set Timing.beatStructure = 10,3,4
c''''8-. d-. a'-. bes,-. e-. a16 e8-. a16 es8-. r16
\time 23/16 \set Timing.beatStructure = 10,5,3,3,2
a8-. es-. des-. bes-. des-. a'16 des,8-. bes-. a'16 es8-. bes16 des8~ 8
\time 21/16 \set Timing.beatStructure = 6,10,5
\grace{bes8}es-. \grace{b}es-. \grace{c}f-.
\repeat percent 5{\grace{es}bes'-.}
\grace{es,}bes'16.-. \grace{es,8}bes'16.-. \grace{es,8}ges16 r
\time 12/8
\repeat percent 3{\repeat unfold 4{\grace{as16}ges16.-.}}
\repeat unfold 2{\grace{as16}ges16.-.} \grace{ges16}f16.-. r
}
\score{
\unfoldRepeats \main
\midi{\tempo 4=238 \set Staff.midiInstrument = "ocarina"}
}
\paper{indent=#0 line-width=#120
system-system-spacing = #'((basic-distance . 7))
}
|
| Latvijas Radio: | \header{ title = "Latvijas Radio" }
% https://www.intervalsignals.net/sounds/lva-z-radio_riga_1991.mp3
% 0:10 http://www.kurzwelle-historisch.de/radios/UdSSR83_R_Riga_hm.mp3
{
\time 3/4 \omit Staff.Script
<<\relative{
\set midiMaximumVolume = #0.9
c''8.*10/9-_ 16*2/3 2 \tuplet 3/2 {c8 c c} 2
4~ \repeat unfold 2{\tuplet 3/2 {8 }} s4_"//"
}\\ \relative{
\set midiMaximumVolume = #0.7
c'8.*10/9-_ 16*2/3 2 \tuplet 3/2 {8 8 8} 2
4~ \repeat unfold 2{\tuplet 3/2 {8 }}
}>>
}
\midi{\tempo 4=54 \set Staff.midiInstrument = "brass section"}
|
| Radio Vilnius:
Lietuvininkai we are born | \header{tagline=##f title="Radio Vilnius - Lietuvninkai mes esam gimę"}
% 1:06 https://www.intervalsignals.net/sounds/ltu-z-lr_radio_vilnius_180706.mp3
common = {\key es \major \partial 4}
mainA = {es'4 bes'4. 8 8. 16 g8 es es'4. c8 bes2\omit-_}
main = \relative{
\common \mainA es4 f8 es bes4 es8 c d es c4 bes s8_"//"
}
acco = \relative c,{
\clef bass \common \mainA
4 8 4
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=65 \set Staff.midiInstrument = "choir aahs"}
}
latter half of Anthem of the Lithuanian Soviet Socialist Republic
\header{tagline=##f title="Radio Vilnius - LTSR Himnas"}
% https://www.intervalsignals.net/sounds/ltu-z-radio_vilnius_c1982.mp3
common = {\key f \major \partial 8}
\score{
<<
\new Staff="ltu"<<\relative{
\common c'8 f4. 8 g8. e16 d8 c f4 c2 r8 c a'4. 8 bes8. g16 f8 g a2. r4
}\\ \magnifyMusic 0.6 \relative{
\common c'8 4. q8 8. 16 8 8 4 2 s8
c 4. 8 8. 16 8 2.
}
>>
\new Lyrics \with{alignAboveContext="ltu"} \lyricsto "1"{Ta -- ry -- bų Są -- jun -- goj}
>>
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=83 \set Staff.midiInstrument = "french horn"}
}
|
| Voice of Malaysia: Dondang Sayang | www.intervalsignals.net/sounds/mla-z-rtm_vom_150701.mp3 |
| NPO
First eight notes of Wilhelmus, played on:
-
Flute family: Hilversum 1 (Radio 2)
-
Oboe family: Hilversum 2 (Radio 1), Hilversum 5
-
Synthesizer then Carillon: Hilversum 3
-
Harpsichord: Hilversum 4
| \header{tagline=##f title="Nederlandse Publieke Omroep"}
% https://www.intervalsignals.net/sounds/hol-z-nos_hilversum4_1982.mp3
common = {\key b \major \partial 4}
\score{
\relative{\mark "Hilversum 4" \common fis'4 b b cis8 dis e cis8 dis2}
}
\score{
<<\relative{
\common fis'4 \stemDown b_. \stemUp b-. cis8 dis e cis8*2 \grace{dis16*2 cis}dis2
} \\ \magnifyMusic 0.6 \relative{
\set midiMaximumVolume = #0.6
s4 \stemUp 8[ ] \stemDown [ ]
cis, fis,8*3/2 2.
}>>
\midi{\tempo 4=122 \set Staff.midiInstrument = "harpsichord"}
}
Radio Netherlands: Carillon version of the Eighty Years' War song Merck toch hoe sterck.
\header{tagline=##f title="Radio Netherlands (old)"}
% https://www.intervalsignals.net/sounds/hol-z-radio_netherlands_rvd_c1975.mp3
common = {\key a \minor \time 2/2}
main = \relative{
\common a'4 gis8 a b4 a8 b c4 b8 a b2
c4 b8 c d4 c8 d e4. e8 d e c d b2 a
}
acco = \relative{
\set midiMaximumVolume = #0.7 \common
2
4 2 s
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 2=53 \set Staff.midiInstrument = "tubular bells"}
}
|
| \header{ title = "NRK – Pausesignalet" }
% https://www.intervalsignals.net/sounds/nor-z-radio_norway_1966.mp3
\relative{
\time 9/4 \omit Staff.TimeSignature a' d a c d c8 a8 b8 g8 a4*2
}
\midi{\tempo 4=86 \set Staff.midiInstrument = "celesta"}
Kjenningssignalet: beginning bars of Symphony No.1 "Innover viddene" by Eivind Groven
\header{tagline=##f title="NRK – Kjenningssignalet"}
% https://www.intervalsignals.net/sounds/nor-z-radio_norway_rvd_c1981.mp3
common = {\key es \major \time 3/4 \partial 8}
main = \relative{
\common bes'8 16 16 d f es d es8~ 8 8 d16 bes8. c16 as8. bes4~ 2 r8 bes8
16 16 d f es4. des8 ces bes16 as ges4. 8 as bes16 des ces8 bes4 as8
ges16 f ges f es f ges8~ 8 as ges16 f ges f es f ges8~ 8 f
es des es2~ 2.
}
acco = \relative{
\set midiMaximumVolume = #0.7 \clef "treble_(8)" \common s8
4 2 4 4~ 2.
4 4~ 4 2 2.
2~ 8 2~ 8
4 ces 4~ 2.
}
\paper{system-system-spacing = #'((basic-distance . 0))}
\score{\main
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=60 \set Score.midiInstrument = "orchestral harp"}
}
|
Radio Katowice: Sound of a hammer striking an anvil.[, ]
- Excerpt from O Warmio moja miła by Feliks Nowowiejski, played on barrel organ.
\header{ title = "Radio Olsztyn" }
% https://www.intervalsignals.net/sounds/pol-z-pr_olsztyn_rvd_1975.mp3
\relative<<{
\clef "treble^(8)" \key f \major \partial 8 c'''8 4. a8 bes4 d f2 c2
}\\ \magnifyMusic 0.7{
\set midiMaximumVolume = #0.7 s8 f, e d c d4 bes a4 c8 f a2
}>>
\midi{\tempo 4=88 \set Staff.midiInstrument = "electric piano 1"}
Polish Radio External Service: Excerpt from Prząśniczka by Stanisław Moniuszko[; ]
\header{tagline=##f title="Polish Radio External Service"}
% https://www.intervalsignals.net/sounds/pol-z-radio_polonia_250206.mp3
common = {\key c \minor \time 2/4 \partial 8*3}
main = \relative{
\set Staff.midiInstrument = "flute" \common
\set midiMaximumVolume = #0.9 \magnifyMusic 0.7{g'8-. a-. b-.}
c8.-! 16-. es8-. f-. g4-! c,8-. c-. as'4-! g8-. f-. es4-! d-! c-! s8_"//"
}
acco = <<
\new Staff \relative{
\set Staff.midiInstrument = "vibraphone"
\set midiMaximumVolume = #0.85 \common
g'8 a b c16 d c g es g c d c d c g es g c d
c d c as f as c d c d c as f as c d c4
}
\new Staff {
\set Staff.midiInstrument = "steel drums"
{\set midiMaximumVolume = #0.8 \common s8 s4 c''2}
\clef "bass_(8)" \set Staff.midiInstrument = "acoustic bass"
\new Voice{\set midiMaximumVolume = #1.0 g,4.. c,16 2~ 2 4}
}
>>
\score
Radio Polonia:
Etude No. 12 ("Revolutionary Etude") by Chopin
\header{tagline = ##f title="Radio Polonia"}
% https://www.intervalsignals.net/sounds/pol-z-polish_radio_c1996.mp3
main = \relative{
\key c \minor
\partial 16*5 16[ 8. 16]
2 r8. 16[ 8. 16] 2 2
}
acco = \relative{
\key c \minor \clef bass
\partial 16*5 s16 s4
c,16\sustainOn g' c d es g c d es d c g es d c g
c,\sustainOff\sustainOn g' c d es d c g c,2\sustainOff\sustainOn
s8\sustainOff
}
\score{\main}
\score{
<<\main \new Staff \acco>>
\midi{\tempo 4 = 120}
}
Military Polonaise by Chopin
\header{ title = "Radio Polonia" }
% https://www.intervalsignals.net/sounds/pol-z-polr1_c1996.mp3
\relative{
\key a \major \time 3/4
<<{
8\sustainOn[ r16 ] q8[ r16 q] -.\sustainOff -. -. -. 8. 16 4
}\\{
\set midiMaximumVolume = #0.6
8[ r16 q] q8[ r16 q] 16-. q-. q-. q-. 8. 16 4
}>>
}
\midi{\tempo 4=66}
|
| Radio Bucharest 1 and Radio Bucharest External Service (pre 1989): Fragment from Cantata anilor luminǎ by Anatol Vieru | \header{tagline=##f title="Radio Bucharest"}
% https://www.intervalsignals.net/sounds/rou-z-radio_bucharest_c1985.mp3
ob = \relative{
\set Staff.midiInstrument = "oboe"
\set Staff.midiMaximumVolume = #0.9 \partial 8
<<{g'8-. c4-_ d8.-. d16-. e4 c8.-. e16-. g4-_ f8-. e-. d-.}\\
{g,8-. e4-_ g8.-. g16-. c4 e,8.-. c'16-. e4-_ d8-. c-. b-.}>>
}
bs = {
\set Staff.midiInstrument = "bassoon"
\set midiMaximumVolume = #0.7 \partial 8
r8 r1 4-_ 8-. 8-. 8-. s
}
\score
|
| Voice of Russia: "Great Gate of Kiev" portion of Pictures at an Exhibition by Mussorgsky. | \header{tagline=##f title="Voice of Russia"}
% https://www.intervalsignals.net/sounds/rus-z-vor_is_111111.mp3
sustainOfn = \sustainOff\sustainOn
common = {\key es \major \time 2/2}
mainA = \relative{es''1 f g2 es4 g f2 bes, g'4 bes f es d2 bes g'1}
acco = \relative{
\clef bass \common 1 \grace{d4\sustainOn f}1
\grace{es,4\sustainOfn g}2 2\sustainOff bes
es'2 4 2
\grace{es'4\sustainOfn g}1
}
\score
\score{
<<{\common <<\mainA \\ \transpose c c, \mainA>>}
\new Staff \acco>>
\midi{\tempo 2=67 \set Staff.midiInstrument = "vibraphone"}
}
|
| Radio Serbia: Bože pravde, in various renditions. | \header{ title = "Radio Serbia" }
% 0:40 https://www.intervalsignals.net/sounds/srb-irs_100209.mp3
\relative<<{
\key a \major
cis'''4 b8 gis a4 b8 cis d4 cis8 b a gis fis4
a4 b8 cis e4 d cis b8 a \cadenzaOn b2*3\fermata \bar " | "
}\\ \magnifyMusic 0.6{
a,2 fis b a8 gis fis4 d2 e a e2*3
}>>
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=94 \set Staff.midiInstrument = "celesta"}
|
| Radio Slovakia International: Kto za pravdu horí | \header{tagline=##f title="Radio Slovakia International"}
% https://www.intervalsignals.net/sounds/svk-sr_rsi_240408.mp3
mainA = \relative{c'''8 g e f a4 \cadenzaOn g4*2\fermata \bar " | "}
\score
\score{
<<\mainA \new Staff{\transpose c c,, \mainA s2}>>
\midi{\tempo 4=55 \set Staff.midiInstrument = "fx 4 (atmosphere)"}
}
|
Radio RSA (former international service of Apartheid-era South African Broadcasting Corporation): Bokmakierie chirping and first bars of Ver in die Wereld, Kittie, played on guitar. | \header{tagline=##f title="Radio RSA"}
% https://www.intervalsignals.net/sounds/afs-z-radio_rsa_1977.mp3
common = {\key e \major \time 2/4}
main =\relative{
\common b'8 b16 b b8-. a-. gis b4. fis8 a4. gis8 b4.
b8 b16 b b8-. a-. gis b4. fis8 a gis fis e2
}
acco = \relative{
\set Staff.midiMaximumVolume = #0.6
\clef "treble_(8)" \common
<<{
8 16 16 8-. -. b4 8 a cis4 8 b b4 8
8 16 16 8-. -. b4 8 a cis b a
}\\{
s2 e4 b b b e b s2 e4 b b b'
}>>
\grace{e,,16\omit\sustainOn b'}gis'2
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=53 \set Staff.midiInstrument = "acoustic guitar (nylon)"}
}
|
| Radio Exterior: "Generala" (1761,1769) by Manuel de Espinosa de los Monteros | \header{tagline=##f title="Radio Exterior de España"}
% https://www.intervalsignals.net/sounds/spa-z-ree_c1982.mp3
common = {\key d \major \time 3/8}
main = \relative{
\set Staff.midiInstrument = "celesta" \common
fis''8. e16 d8 fis16 e fis g a g fis8. e16 d8~ \hideNotes d4.
}
acco = \relative{
\set Staff.midiInstrument = "acoustic guitar (steel)"
\set Staff.midiMaximumVolume = #0.6 \clef bass \common
<<{fis'16 d a g' d a fis' d a e' d a fis' d a g' r8}\\{d,8. d d d d d}>>
}
\score{\main}
|
Radio Sweden:
Ut i vida världen ("Out in the Wide World"), composed by Ralph Lundsten[; ] | \header{ title = "Radio Sweden" }
% https://www.intervalsignals.net/sounds/swe-z-sr_radio_sweden_070704.mp3
\relative{
\key c \minor \partial 8*3
g'8\omit\sustainOn c d es4 g d g c,2 r8 g c f a2 f4 a g1
}
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=110 \set Staff.midiInstrument = "vibraphone"}
The opening notes of Carl Michael Bellman's Storm och böljor tystna r'en.
\header{ title = "Radio Sweden" }
% https://www.intervalsignals.net/sounds/swe-sr1_021106.mp3
\relative{
\clef "treble^(8)" \key es \major \time 3/4
es''4.. g16 8. as16 4 \cadenzaOn 4*3\fermata \bar " | "
}
\midi{\tempo 4=79 \set Staff.midiInstrument = "celesta"}
|
- D' Zit isch do, played on music box.
\header{tagline = ##f title="Landessender Beromünster, Bern"}
% https://www.intervalsignals.net/sounds/sui-z-sbc_sr2_rumantsch_1977.mp3
main = \relative{
\clef "treble^(15)"
\key d \major \time 2/4
a'''8 a fis4 a8 a fis4 e8 e16 fis g8 e fis d' a4
}
acco = \relative{
\clef "treble^(8)" \key d \major
<<{a''8 a d4 a8 a d4 cis8 cis16 d e8 cis d d a4}
\\
{fis4 d fis d a4. e'8 2}
>>
}
\score{\main}
\score{
<<
\set Score.midiInstrument = "celesta"
\main \new Staff \acco
>>
\midi {\tempo 4 = 86}
}
Swiss Radio International: Lueget, vo Bärgen und Tal.
\header{tagline=##f title="Swiss Radio International"}
% https://www.intervalsignals.net/sounds/sui-z-sri_221000.mp3
common = {\key b \major \time 3/8}
main = \relative{
\common dis''8. e16 dis8 cis8 fis,8 dis'8 b4. r
fis8. gis16 fis8 b8 dis8 fis8 cis4.
}
acco = {
\clef bass \common 4. 4. r
4. 4. 4.*3
}
\score{\main}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4.=58 \set Staff.midiInstrument = "music box"}
}
Red Cross Broadcasting Service: Henry Purcell, The Indian Queen, Trumpet Tune
\header{tagline=##f title="Red Cross Broadcasting Service"}
% http://www.kawamura-photo.sakura.ne.jp/bcl/sound/redcross.mp3
main = \relative{
\set Staff.midiInstrument = "trumpet" \time 3/4
g'8-. g16 g e8-. g-. e-. g-. c-. c16 c g8-. c-. g-. c-.
e-. e16 d c8-. e-. d-. g16 f16*2 \grace{e16*2( f} e4*3/4) s_"//"
}
acco = {
\set Staff.midiInstrument = "string ensemble 1"
\set midiMaximumVolume = #0.7 \clef bass
4-. r r 4-. r r
8 c16 d e8-. c-. g,-. 4
}
\score
|
| Voice of Turkey: Turkish makam, played on piano. | as heard in 2013]]
|
| Radio Moscow (former international service of the Soviet Union)
| Подмосковные вечера ("Moscow Nights") performed by "Georgy Garanian and Melodia"
\header{tagline=##f title="Radio Moscow"}
% 0:30 https://www.intervalsignals.net/sounds/rus-z-rmws_coup_190891.mp3
% https://youtu.be/Zg6CfBtO_uw
-
(define (fiver mus) #{ \repeat unfold 5{#mus } #})
v = \applyMusic #fiver \etc
common = {\key f \minor \partial 2}
main = \relative{
\set Staff.midiInstrument = "acoustic guitar (nylon)"
\common s2 \v f'16*4/5 \v as \v c \v as \v{bes bes} \v as \v g
\v{c c} \v{bes bes} \v{f f f f}
\v as \v c \v es \v es \v{f f} \v es \v des
\v{c c c c} \v{d d} \v{e e} s8
}
acco = <<
\new Staff \relative<<{
\set Staff.midiInstrument = "electric piano 1"
\set midiMaximumVolume = #0.7 \clef bass \common s2
f4 4 4. 8~ 4. 8~ 2
8 4-_ 8 4. 8~ 4. 8~ 8 4.
2
4 f8 g as bes c f 4 b8 d e -. 4
}\\{
\set midiMaximumVolume = #1.0
s2 f,,4. f8 c4 f8 es bes'4. f'8 bes,4. b8
c4 c,4. c8 d e f4. 4 c8 bes as8
4. 4 8 bes c des8 4 8 es8 4 8 as8 4 es8 as4 es8 as
g8 d g ges4 des8 ges f
}>>
\drums{
<<{
\common tomh16 16 16 16 toml16 16 8 \grace{cymc16}
\repeat unfold 16{hh8 hh sn hh}
}\\{
r2 \repeat unfold 8{bd4. bd8 r2}
}>>
}
>>
\score{
\relative{\key f \minor
f'4 as c as bes2 as4 g c2 bes f1 as4 c es es f2 es4 des c1 d2 e s8_"//"
}
}
Песня о Родине ("Wide Is My Motherland")
\header{tagline = ##f title="Radio Moscow"}
% https://www.intervalsignals.net/sounds/rus-vgtrk_motherland_is_121212.mp3
main = {\partial 4 d''8 d g4. fis8 e fis g a g4 d2}
acco = {\partial 4 s4 b2 c b2.}
\score{
\relative{
\set Staff.midiInstrument = "electric piano 1"
\key g \major
<<\main \\ \acco>>
}
\midi{\tempo 4 = 60}
}
|
BBC World Service: Trumpet version of Oranges and Lemons; first four notes of Symphony No. 5 by Beethoven, played on timpani; Lillibullero (signature tune). | \header{ title = "BBC - Oranges and Lemons" }
% https://www.intervalsignals.net/sounds/atg-z-bbc_caribbean_relay_c1981.mp3
\relative{\key a \major \time 3/4 \omit Staff.Script
<<{
e''4-_ cis-_ e-_ cis-_ a b8 cis d4-_ b-_ e-_ cis-_ a2-.
e'4-_ cis-_ e-_ cis-_ a b8 cis d4-_ b-_ e-_ a,2
}\\{
a4-_ e-_ a-_ e-_ cis d8 e fis4-_ d-_ gis-_ e-_ cis2-.
gis'4-_ e-_ gis-_ e-_ fis gis8 a b4-_ d,-_ gis-_ a2
}>> r4
}
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=136 \set Staff.midiInstrument = "pan flute"}
\header{tagline=##f title="BBC - Lillibullero"}
% https://www.intervalsignals.net/sounds/ukg-bbcws_lillibolero_230799.mp3
common = {\key g \major \time 6/4}
mainA = \relative{ \repeat volta 2{
g'4.-_ a8-. g4-. b2-_ 4-. a4.-_ b8-. a4-. c2.-_
b4-. d-. g,-. c2-_ b4-. a-. g-. fis-. g2.-_
main = {\set Staff.midiInstrument = "trumpet" \common \mainA s8_"//"}
acco = <<
\new Staff{
\set Staff.midiInstrument = "clarinet"
\common \transpose c c' \mainA
}
\new Staff \relative{
\set Staff.midiInstrument = "string ensemble 1"
\set midiMaximumVolume = #0.9 \clef bass \common
\repeat volta 2{
4 r r r r r r r r
r r r r r r r r
}
}
>>
\score
|
| World Christian Broadcasting (Alaska KNLS, Madagascar Madagascar World Voice (MWV))
Chariots of Fire by Vangelis | \header{tagline=##f title="KNLS (old) - Chariots of Fire"}
% https://www.intervalsignals.net/sounds/als-z-knls_anchor_point_ak_c1988.mp3
\score{
\relative<<{\cadenzaOn
r8 c'' \tuplet 3/2{f[ g a]} \bar " | "
g4 e r8*2/3 c \tuplet 3/2{f8[ g a]} \bar " | "
g2*2/3 r8*2/3 c, \tuplet 3/2{f8[ g a]} \bar " | "
g4 e r8*2/3 e \tuplet 3/2{f8[ e c]} \bar " | " c2
}\\{
r4 a g2 r4*2/3 a4 g2*2/3 r4*2/3 a4 g2 s4*2/3 a4 g2
}>>
\layout{indent=#0 line-width=#120 }
\midi{\tempo 4=52 \set Staff.midiInstrument = "celesta"}
}
An unnamed tune by Jeff Brock
\header{ title = "KNLS/MWV - (an unnamed tune)" }
% KNLS https://www.intervalsignals.net/sounds/als-knls_anchor_point_ak_130724.mp3
% MWV https://www.intervalsignals.net/sounds/mdg-mwv_lightoflife_150416.mp3
\relative{\key f \major c'4. c'8~ 2~ 4. bes8~ 8 a g f c'4. f,8~ 2~ 1 s8_"//"}
\midi{\tempo 4=130 \set Staff.midiInstrument = "electric piano 2"}
|
| WYFR: First bars of To God Be the Glory by William Howard Doane | \header{tagline=##f title="KNLS/MWV - (an unnamed tune)"}
% 0:05 https://www.intervalsignals.net/sounds/usa-z-wyfr_fl_290900.mp3
common = {\key bes \major \time 3/4 \partial 4}
main = \relative{
\set Staff.midiInstrument = "trumpet" \common
<<{
f'4-_ 2-_ g8.-_ a16 bes4-_ f-_ bes-_ c-_ f,-_ c'-_ d4 s4_"//"
}\\ \magnifyMusic 0.6{
d,4-_ 2-_ es8.-_ c16 d4-_ f-_ f8-. g-. f4-_ 4-_ 4-_ f4
}
>>
}
acco = \relative{
\set Staff.midiInstrument = "french horn" \clef bass \common
<<{
bes4-_ 2-_ 8.-_ a16 bes4-_ 8-. a-. bes4-_ a4-_ 4-_ 4-_ bes4
}\\{
bes,4-_ 2-_ 4-_ bes,4-_ 8-. c-. d-. es-. f2-_ 4-_ bes,4
}
>>
}
\score
|
| Radio Yugoslavia (1980–1989)
Druže Tito, ljubićice bjela anonymous Partisan song, in various orchestral renditions.
\header{tagline=##f title="Radio Yugoslavia"}
% 0:19 https://kawamura-photo.sakura.ne.jp/bcl/sound/yugo1990.mp3
common = {\key a \major \time 2/4}
main = \relative{\common e''4 4 d8 e d4 cis8 8 b a b4 4~ \hideNotes 4.}
acco = \relative<<{
\common cis''8 cis' q b q b q a a e e a fis 4~ 4.
}\\{
a,2 gis fis e4. b'8 e,4. s8
}>>
\score{\main}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=102 \set Staff.midiInstrument = "electric piano 1"}
}
The Internationale | \header{tagline=##f title="Radio Yugoslavia"}
% https://www.intervalsignals.net/sounds/yug-z-radio_yugoslavia_c1980.mp3
\score{
\relative<<{
\omit Staff.Script \key f \major \time 2/4 \partial 8
c''8-. f4.-_ e8-. g f-. c-. a-. d2-_ bes2-_
}\\ \magnifyMusic 0.6{
\set midiMaximumVolume = #0.6
c,8-. 4.-_ 8-. -. -. -.
2-_ 2-_
}>>
\midi{\tempo 4=85 \set Staff.midiInstrument = "trumpet"} \layout{}
}
|
| Radio Yugoslavia, later International Radio of Serbia and Montenegro: 2nd verse of Svečana Pesma (Свечана песма) by Nikola Hercigonja | \header{tagline=##f title="Radio Yugoslavia"}
% https://www.intervalsignals.net/sounds/yug-z-radio_yugoslavia_160203.mp3
common = {\key bes \major \partial 4}
main = \relative{
\common f'8 f bes8. f16 4 g a8 bes c8. f,16 4~ \hideNotes 2
}
acco = \relative{
\clef bass \common r4
<<{2 1}\\{bes,1~ 2~ 2 s8}>>
}
\score{<<\main \new Staff \acco>>
\midi{\tempo 4=90 \set Staff.midiInstrument = "electric piano 1"}
}
|
| Classical radio station WQXR-FM in New York City, during its ownership by The New York Times Company, played different variations of a classical infused gong with the ID read at the same time as "The Classical Station of the New York Times, WQXR, New York (And WQXR.com 2000–2009) | |
are often named after their interval signals, such as The Lincolnshire Poacher or Magnetic Fields after "Magnetic Fields Part 1" by Jean-Michel Jarre.
